The other thing I found interesting is that you CAN sit and watch the entire movie for the next hour and 45 minutes, or you can do like I did the first time and just skip ahead to see how the music and the movie sync it. I will note that they stripped out the movie soundtrack and dialogue, but you’ve probably seen “Wizard of Oz” enough times you know what the scenes are about. But thanks to the Internet, I don’t have to go to all that trouble! Someone has done all the work for us and posted it to YouTube! Some guy has produced “The Dark Side of the Rainbow” in one of the wildest mashups imaginable. Call me lazy, but while the idea intrigued me (and apparently appeals to a LOT of people who get stoned and listen to classic rock at the same time they watch old movies) I just never get around to it.
WIZARD OF OZ STREAMING TV
Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.So, who hasn’t heard that there’s an eerie coincident between the 1939 classic film “The Wizard of Oz” and Pink Floyd’s classic album “Dark Side of the Moon?” That if you start the album at just the right place all sorts of movie scenes and musical cues line up?Īnd yet, like many of you, I’ve been too lazy to actually get a copy of both productions at the same time and test it out for myself. “Filtering ‘The Wizard of Oz’ through the lens of David Lynch, Phillippe and his guests find those energies in close proximity to each other, using two deceptively different visions of America to suggest that our dreams and nightmares have never been as far apart as they seem.” “‘Lynch/Oz’ is at its best when it’s at its most illustrative - spiking familiar clips with new context, or arranging side-by-side comparisons that hear uncanny echoes between Victor Fleming’s family classic and David Lynch’s most haunted work,” Ehrlich continued. IndieWire critic David Ehrlich reviewed “Lynch/Oz” out of the 2022 Tribeca Film Festival, writing that the documentary “makes a somewhat filling meal out of the tasty breadcrumbs that Lynch has left behind about his lifelong fascination with psychogenic fugues, ominous gusts of wind, and a strange woman named Judy (who we might not be able to keep out of this, after all).” Separated into six chapters narrated by critic Amy Nicholson, “Jennifer’s Body” director Karyn Kusama, Rodney Ascher, and fellow iconic filmmaker John Waters, “Lynch/Oz” parallels Lynch’s famed projects like “Mulholland Drive,” “Twin Peaks,” and “Blue Velvet” with the elusive promise of adventure in “The Wizard of Oz.” Much like Dorothy’s descent into the Emerald City, Lynch pulls back the curtain on the false concept of a safe suburbia, exposing a mind-bending surreal portal just over the rainbow. The official synopsis reads: “Lynch/Oz” explores one of the most fascinating puzzles in the history of motion pictures: the enduring symbiosis between America’s primordial fairytale, “The Wizard of Oz,” and David Lynch’s singular brand of popular surrealism. 'The Lord of the Rings': Everything You Need to Know About Amazon's Big Money Adaptation Queen Elizabeth II Skipped a Private Paul McCartney Concert to Watch 'Twin Peaks' Kyle MacLachlan: Even I 'Don't Pretend to Understand What David Lynch Does'
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